Jesus Christ Superstar – Louth Playgoers – Revew by Frances Brindle

 

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I’m absolutely delighted that even though I’m still away in the USA I am able to publish a review for this great show via a wonderful friend from Louth Playgoers (LPG), Frances Brindle, for their current production of Jesus Christ Superstar, the Rock Opera, in Riverhead Theatre, Louth from 17th to 27th May.

Frances is usually onstage for the musicals but as well as performing for LPS she’s been Assistant Director, Producer and taken Choreographer roles.  She’s also on the marketing team and is on the Board of Directors. You can also find her smiley face in the box office from time to time!!!

Frances next  LPS project is Once Upon a Time, the summer concert on August 12th where she’s Producer and choreographer.

Over to you Fran…

Having not been involved in this years musical (an odd feeling!) I thought I’d embrace being on the other side and I’d review it.

Not being a massive fan of Jesus Christ Superstar, hence not being part of the show, I can’t say I wasn’t looking forward to the show, but my reason for going was to support the cast who have worked so hard to produce it.

And a huge amount of hard work has gone into it. I’ve heard first hand that there’s literally been blood sweat and tears, and that was just building the set! Bob Booth and his crew have produced the largest construction our stage has ever seen. With giant steps, platforms, trapdoors, and multi levels, the immense presence of it is the first thing you notice when the curtains go back. It is utilised in so many different ways, which I won’t spoil, but the cast are constantly all over this giant structure making full use of the dynamics this set has to offer.

The most striking thing about this show was that everyone on that stage was fully invested in it and committed to providing a great performance. It was lovely to see so many new faces on the stage too, I hope they’ve loved it enough to join us in the forthcoming season.

The wardrobe team must be congratulated for their efforts because you could quite happily believe you were in biblical times, which is no easy feat when you have to source clothes in a modern society. They were tasteful, suited and my favourite part was that there were so many colours on that stage but they weren’t super bright and they fitted the show perfectly. The use of scarves and shawls was an excellent addition to each costume and I’m sure it aided the cast in defining their characters.

Colours for me played an important role in this show, Pilate in purple typically an “evil” colour, Herod’s glamorous gold, and Judas in Red which is essentially an angry colour and in the scene where he’s fighting his inner demons under the red lighting and wearing a red costume absolutely took the audience on a journey of his mind set.

The lighting in the whole show was very atmospheric and the use of candles to create a hazy glow in certain scenes definitely worked for me. There’s something to be said for emotional scenes portrayed in the flicker of candlelight.

The show is full of strong voices but the trio of Jesus (Jody McCutcheon) Mary Magdalene (Evie Dodds) and Judas (Rik Hardenberg) carry the show along at a pace which tells the story beautifully yet keeps the audience on the edge of their seats, literally. Their performances are brilliant and all differently so emotive that towards the end of Act two my stomach was in knots and I still felt a bit shaky after the show. It’s intense, shocking, heart wrenching and emotional whilst still having moments of upbeat, lively fun.

The fun mostly comes from the ensemble who are the heart of this show. They never stop! They are constantly climbing up and down stairs and scaffolding, on and off the stage, and it’s their commitment to this merry dance that makes the story so believable. All whilst performing perfectly placed choreography (by Sarah Hagerup) remembering harmonies, singing and still managing to breathe!! Hats off too to Keith Weston, the Musical Director, because it takes an awful lot of work to accomplish a rock opera with no spoken lines and just pure singing, and it’s a hard sing! And a hard play for the band too who absolutely rock!

The concept of this show is still one I can’t get my head around, but a lady who has, is the Director, Sue Hamilton. She has had the enormous task of bringing this vision to reality. It has been done in such a way that not only works, but flows so much that a scene disappears before your eyes before you’ve had a chance to realise it’s gone. And it happens more than once!

For a show that I don’t like, tonight I loved it! I smiled, I clapped and I cried, it moved me so much!

So if between now and Sat 27th May you want a great night out then go and see Jesus Christ Superstar, because they’re all Superstars!

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There are some tickets left and you can get them at www.louthplaygoers.com or call Box Office on 01507 600350 open 10am-1pm Monday -Saturday.

Thank you Frances for taking the time to write this great review, I’m just very disappointed that I’m unable to see this show that I know and love, and that I was part of in the Lincoln Cathedral production in both 2015 and 2016 with some of the same cast as in this particular production.

I hope that all the cast and crew have a great rest of the run, and that everyone enjoys it as much as Frances obviously did!

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