‘Annie’ – BOS Musical Theatre Group

23472761_2168049586554292_7549138691787915722_n

The last time I saw Annie was on a family trip to the Mayflower Theatre, Southampton in November 2000 where I think (if my memory serves me – and Google is right) Lesley Joseph played Miss Hannigan and Kevin Colson was Daddy Warbucks. But on Tuesday night at the Blackfriars theatre I watched the BOS Musical Theatre Group in the same production.  I’d forgotten how many great songs come up throughout the show – including ‘Tomorrow’, ‘Easy Street’ and ‘Hard Knock Life’, I thoroughly enjoyed the performance.

To be honest I’d forgotten a lot of the story, but as one of the most successful musicals in recent years, it tells the heart warming tale of Annie’s escape in 1933 from an orphanage where the wicked Miss Hannigan rules, to start a wonderful new life with Daddy Warbucks and all the adventures she has in between.

Orphans Group 2
The orphanage

The set and all the changes at Blackfriars were very well done; we were transported from bedroom to sewing room, from street corners to shanty town then to Daddy Warbucks sumptuous mansion, to the N.B.C. Radio Studio, to the White House and around and back again.

Boylan Sisters and Bert Healey
N.B.C. Radio Studio
House Staff again 2
Daddy Warbucks Mansion

In the performance on Tuesday, Precious Stewart-Coates played Annie, and delighted the audience over and over again with her beautiful voice, her positive attitude, characterisation and infectious smile! Very well done Precious, I can see why in the programme you have now fulfilled your dream role; I’ll be watching out for future performances!  And what great fun you must have had with that gorgeous dog, I saw the effect you had telling him to stay!

Annie 2 - Precious
Annie

Natasha Connor managed to turn the audience against her, and was very believable as the evil Miss Hannigan with her powerful voice and sharp tongue and in contrast, Katy Divilly as Grace Farrell, secretary to the millionaire Oliver Warbucks, was delightfully prim and proper and showed a loving nature, and kind heart.

Miss Hannigan and Grace
Grace Farrell and Miss Hannigan

Ben Gilbert‘s Daddy Warbucks certainly won over the audience, with his warm and loving character; the perfect contrast to the fiesty Annie, a lovely match!

Annie and Daddy Warbucks 2
Daddy Warbucks and Annie

The nasty trio that was Natasha Connor as Miss Hannigan, Rob Callaby as Rooster, and Lucy Allen as Lily St Regis,  brought an element of fun to the show, with their double crossing plan, and Lily’s larger than life enthusiasm; they got their justified boo’s from the audience at the end!

Ralph and Lilly Mudge
Miss Hannigan, Rooster and Lily St Regis

It would be unforgivable for me not to mention Christian Slingsby, (one of my Jesus Christ Superstar, Lincoln Cathedral co-performers), who played a variety of characters including Bert Healy of N.B.C. Radio where he played his usual charming self and the powerful President Roosevelt.  A definite change from the last role we saw him in – ‘Into the Woods’ also at Boston, where he played one of the Princes (we’ll never forget ‘Agony’ and the shirt ripping episode! – and just for the record – we can’t wait for the next show!)

23998155_10155950261049468_1777209013_o
Bert Healy at N.B.C. Radio

All the cast did great and obviously had a lot of fun putting on the show; it was a very entertaining evening with a real feel good atmosphere.  There are a few more opportunities to see this show at Boston, so give it a chance, and take the family, you won’t be disappointed!  Click here for details and tickets for the remaining performances Tonight, Friday 24th at 7.30pm, Saturday 25th at 2.30pm and 7.30pm.

Well done to all the Production Team, including the Director and Producer, Stuart Bull (who says in the programme he’d prefer to be performing to directing for an easier life!)

23549994_2172262429466341_160171255655193794_o

Advertisements

Preview – ‘Twang’ – Hambledon Production – Riverhead Theatre Louth

Now and again, a production is on ‘for one night only’ and that is the case with ‘Twang’ from Hambledon Productions at Riverhead Theatre Louth.  It sounds like it’s going to be a fun night and hopefully this ‘preview’ will help to spread the word to encourage people to attend!

TWANGfront-01

The press release said:

 Be One of the First to See the World Premier of
Lionel Bart’s Hidden Musical Gem

Local professional theatre company ‘Hambledon Productions’ (the team behind recent nationwide hits ‘Steptoe and Son’ and ‘Just Like That! The Tommy Cooper Show’) are back in the area for an unmissable performance of a musical comedy from one of the country’s most popular composers.

Created by Lionel ‘Oliver!’ Bart, this swinging-60s rumbustious retelling of the Robin Hood legend failed to ignite the public and critics upon its first production in 1965, despite including the likes of Barbara Windsor and Ronnie Corbett among the cast list. Bart reportedly lost all his fortune on the show and his score, although being heralded as one of his best, has slipped into obscurity.

John Hewer, local playwright and co-founder of Hambledon Productions, has resurrected the score and written a brand new accompanying libretto for a one-night-only spectacular at the Riverhead Theatre in Louth. “It was one of those extremely lucky moments,” says John, “when the Lionel Bart Estate granted permission for me to revive this mistakenly-neglected show. The score is a wonderful mix of traditional Lionel Bart, fused with a real 60’s-jazz vibe.” When quizzed about the new script, John added, “I’ve allowed my book to be completely influenced by Bart’s score and have created what I believe to have been Bart’s original intention – for a sort of “Carry On Robin Hood” comedy, telling an innuendo-fuelled story of the folklore legend and his more-than-merry men, through catchy numbers, broad slapstick and plenty of one-liners.”

John, who has previously written the popular spoofs “STOP!… You’re Killing Me” and “A Fistful of Spaghetti” as well as numerous pantomimes, will be joined on stage by a local cast of talented performers and a live orchestra.

“This is a truly remarkable event,” he said. “The fact that Hambledon will be the first company to be launching Bart’s score to a new generation for the first time in over 50 years is simply astounding. Tickets are selling extremely quickly with Lionel Bart fans and musical theatre fans booking from far and wide. It’s certainly one to catch.”

SATURDAY 25TH NOVEMBER, 7.30PM
RIVERHEAD THEATRE, LOUTH

TICKETS: £12.00

CALL: 01507 600350
WWW.LOUTHRIVERHEADTHEATRE.COM

Twangcast-01

 

Click here for Tickets – Louth Riverhead Theatre

Twang!!

Review – Confusions – JamJar Productions – Louth Riverhead Theatre

23213247_10155027476191464_1946850990585969267_o

From the same company that brought ‘Two‘ and ‘Sleuth’ in previous years, it was an absolute delight to watch Jamjar Productions portrayal of Alan Ayckbourn’s ‘Confusions’. I was intrigued when I first heard it had been chosen as the next show as I thoroughly enjoyed the previous production.

The production is a series of 5 plays, with 20 characters played by just 5 actors.  The links between the plays were clever and funny and the wide range of characters between the individual plays was very diverse.  I really enjoyed comparing some of the characters to ‘real life’ people I had met in the past!

23032682_10213189045295176_3092617004786094041_n

Mother Figure, ‘Lucy’, played by Sophie Grundy-Holmes, gave us a wonderful insight into motherhood, and the strains on relationships where one partner is often away… Holly Mapletoft and Matt Sargent played what I couldn’t work out to be either nosy or concerned neighbours ‘Rosemary’ and ‘Terry’;  all 3 characters worked together well, and it was interesting to see the change in characters as the scene played on, with the dominant moving from one actor to another!

In the second play, we get to meet Lucy’s husband ‘Harry’, brilliantly played by Jamie Harris;  a travelling salesman who has a bit too keen an eye on the ladies, Paula and Bernice (Sophie and Holly), fuelled with a few too many whiskies, helped along by waiter Darren Melton!  Drinking Companion is a very clever insight into the world of business travellers (some of them anyway!).

23130779_10213189049735287_2852190234933438131_n

The third play, Between Mouthfulls, is a hilarious look at a ‘romantic’ night in a cosy restaurant where two couples are out for dinner.  I loved the way the clever use of silence brought the audience attention from one couple to another; the scene was brilliantly portrayed, and the fabulous props and set team should also get a special mention, well done Pat and Alan Fisher, and Rob and Holly Mapletoft. The waiter, played once again by Darren Melton, certainly deserved his feet up moment at the end of that play after the twist in events!

23167808_10213189055615434_5553590172805509172_n

I think the fourth play, Gosforth’s Fete had to be my favourite.  Matt Sargent showed yet another completely different character, he has a fantastic ability to transform, not only his voice, but his facial expressions.  We also saw another side to the brilliant talents of Jamie Harris, playing the village vicar…  I’m not going to say too much, but I saw a side of Jamie I’d never seen before, and his whole portrayal of that character was exceptional!  I don’t think I’ve laughed so much for a long time!

23031349_10213189054255400_3820634674726528997_n

Holly, playing ‘Mrs Pearce’ the special guest of the Fete, looked like she had great fun playing that part, from being pulled around by Mr Gosforth, to getting lost in the fields…  an absolute riot from beginning to end.

Finally, Talk in the Park, the fifth play, was very simply set on 4 park benches; and consisted just of dialogue, which throughout all 5 plays was word perfect.  It showed just how awkward it can be when strangers start talking to each other…  some difficult yet entertaining dialogue, and definitely thought provoking.

22894067_10213189071175823_649635483867316433_n

Well done to all the cast and crew for a very entertaining evening.  Once of the best and funniest shows I’ve seen at Louth Riverhead Theatre and congratulations to the Director, Rob Mapletoft  and Producer, Jamie Harris.

The Director, Rob, says of the show:

I first saw Confusions at Alan Ayckbourn’s ‘Stephen Joseph Theatre’ in Scarborough a number of years ago…

…I enjoy trying to push the drama out to the audience, making them feel part of the action, so apologies in advance to those of you in the front row!

I find ‘Confusions’ intriguing, Ayckbourn finds the dramatic in the hum-drum everyday parts of life, and pushes unlikely characters together in uncomfortable situations.  Each character may be very different from the next, but they all share similarities and insecurities.

I also like the structure – five short interconnected stories that give a taste of very different lives.  Each character with their own motive.  Could be confusing?!

The show is on for just one more night, Saturday 4th November, and there are surprisingly still some tickets left.  If you have a free evening, I urge you to get your tickets now and go and enjoy a great evening of fun!

Click here for your tickets at £10 or £9 for concessions or call:

Telephone: 01507 600350
The Box Office is open for advanced booking every Monday to Saturday from 10.00am – 1.00pm.

The Riverhead Theatre
Victoria Road
Louth
LN11 0BX

 

Mad About the Musicals – M A Promotions – Louth Riverhead Theatre

MAD+ABOUT+THE+MUSICALS+WHATS+ON-r-w570-q50-m1489056058

Billed as ‘Songs from the Greatest Shows of the West End and Broadway’; Mad About the Musicals was certainly a feast of Musical Theatre, with a mixture of well known favourites and lesser known delights.  The show, part of a UK tour, features Michael Courtney, from Lincoln; Jai McDowall, from Scotland and winner of Britain’s Got Talent in 2011; Rosanne Priest from near Sheffield, and Kerry Whiteside from Lancashire.

21743796_714296942096873_4589804592352158167_o

The cast were supported by a wonderful live band, and despite only 4 members, Musical Director Michael Lovelock on Keys 1; Marc Hayes on bass guitar (who I believe was also part of the orchestra for the Lincoln Cathedral Production of Jekyll and Hyde in August 2017); Rich Craig on drums and percussion and Josh Weaver on Keys 2.

Some of the early numbers included Don’t Rain on my Parade from Funny Girl, and songs from Little Shop of Horrors and Song and Dance, but one of my favourites from the whole show was ‘This is the Moment’ from Jekyll and Hyde.  Having recently seen the Lincoln production (mentioned above) it was wonderful to hear an alternative live version of the powerful ballad, and Jai’s rendition was beautiful.

17015674_625224591004109_896939853824505460_o

Act 1 ended with songs from Phantom of the Opera, Cabaret, then a medley of a number of musical favourites melded together wonderfully.

13475146_512985665561336_1109624607964877211_o

Act 2 started with a lovely medley from Chicago and then some numbers one of my favourite musicals, Evita.  Rosanne Priest gave a stunning performance of Don’t Cry for Me Argentina which was a highlight for me.

13442477_512985345561368_5655987636632964774_o

After a feast of other great musical theatre power ballads, including I Know Him So Well from Aspects of Love and Love Changes Everything from Chess, we were delighted with ‘It Sucks to be Me’ from Avenue Q, puppets included!

The whole show was brought together with some brilliant compering from Michael Courtney who linked the numbers with some funny comedy lines; breaking up the music with great banter.  The audience were thrilled with the whole show, and they weren’t left disappointed with the finale of a brilliant Les Miserables medley.

Vocals from all performers were spot on, the sound and mic balance was just right and the lighting effects all added to the professional performance.

There are tickets left for this evening if you are near to Louth and want to take advantage of a wonderful night of song; click here Louth Riverhead Theatre or visit:

Box Office

Telephone: 01507 600350
The Box Office is open for advanced booking every Monday to Saturday from 10.00am – 1.00pm.

The Riverhead Theatre
Victoria Road
Louth
LN11 0BX

Email: admin@louthplaygoers.co.uk

For details of the whole UK Tour visit Mad About the Musicals

 

 

(Photos from Mad About the Musicals Facebook Page)

 

 

 

The Rise and Fall of Little Voice – Louth Playgoers

WEB+LITTLE+VOICE+ROY

My first show of the new season, 11th – 16th September 2017 sees the current Louth Playgoers Production, written by Jim Cartwright, The Rise and Fall of Little Voice.  I knew the film fairly well so was interested to see how the Director, Jeremy Smith and the Producer, Jamie Harris translated this story onto the stage and brought to life the funny yet sad story to the stage.

IMG_6208

The play tells the story of a shy, reclusive girl named Little Voice and her larger than life, out of control mother Mari.

Desperately missing her dead father, Little Voice spends her time locked in her bedroom listening to his old record collection and perfecting astonishing impersonations of famous divas including Shirley Bassey, Marilyn Monroe, Judy Garland and Dusty Springfield.

When Mari starts dating small-time club agent Ray Say, she thinks he’s her last chance for a better life. When Ray Say hears Little Voice sing, he thinks she’s his ticket to the big time. Little Voice just wants a normal life and to be loved. Not everyone is going to get what they want

I actually can’t believe its 25 years since the film was made with Michael Caine, Brenda Blethyn and Jane Horrocks, and was delighted to see that the play had its own particular quirks and nuances that added a brilliant comedic effect; definitely not a copycat version of the film despite still only having 7 cast members.

Helen Crawshaw played ‘Little Voice’ and I was really impressed by her impersonations and her portrayal of shyness in the beginning and her transformation on the stage when she eventually found herself (which brought a tear to my eye); it was really well done.

IMG_6237

Laura Martin, who played ‘Mari Hoff’ was very funny and utterly believable as the drunken, uncaring mother, delivering her lines with clarity and great comedy and her sidekick, Yvonne Bates who played ‘Sadie May’ made a brilliant pair; their MJ disco moves were fab.  I really relished the ‘vacant, vacuum and void’ look of Sadie, what a character.  Her little personal ‘gems’ totally grossed me out if I’m honest (in a good way), but added fabulous detail to an already brilliantly played character.  I’m just glad I wasn’t the one clearing up after her!  Very well done, I can’t say you were born to play that part Yvonne but I bet that was fun.

IMG_6245IMG_6299

IMG_6195

 

Derek Maher obviously had a few fans in the audience on Tuesday evening as he played ‘Ray Say’; I loved the way his character changed from Mari’s lustful lover, to showing empathy and being manipulative in equal measures with Little Voice and then turning completely, by totally humiliating Mari; he moved from one Ray to another with believable ease despite some scenes being a bit uncomfortable to watch.

It was a wonderful performance by Jack Lovett in his third venture into a dramatic role as ‘Billy’ the telephone engineer’s assistant, and love interest of Little Voice.  His ability to show sensitivity and understanding to Little Voice’s concerns and helping her to overcome them came across beautifully.  I loved the way the audience could see his emotions without him having to say a word… a complete change from other roles I’ve seen Jack play previously.

IMG_6352

I loved the way the set was built, and the attention to detail was very clever; I did wonder how the transition to the club scenes were going to happen with the size of the set but it was very well done (the set was Designed by Eric Cahill and Brian Disbrowe)!  I also loved the use of lighting, to highlight the different elements of the stage and set, and the changes between scenes.  It all added a great atmosphere and made the audience feel they were there in the moment, especially in the ‘club’ scenes which were very cleverly thought out and Billy’s ‘lights’ at the end.  Well done also to Gareth Bates who played a delightfully cheesy ‘Mr Boo’; I don’t think I was the only member of the audience who felt that they had gone into the wrong theatre for Act 2; the ‘Phoenix Nights’ vibe was very funny!  It was good to have live musical accompaniment too from Matthew Jeffery  on piano and Stuart Spendlow on Drums (is that really your accent Stuart?).  I must also mention the ‘Phone Man’ Andrew Milsom, he played a dual role the ‘Showbiz Agent’ looking to take ‘Little Voice’ to greater things.

The Director was Jeremy Smith who has been with Louth Playgoers for six years;  the Producer was Jamie Harris, a familiar name at Louth Playgoers, directing, producing, singing, acting and even designing lights in many productions, as well as forming his own theatre company, JAM JAR PRODUCTIONS, who are currently rehearsing for their next production, ‘Confusions’ by Alan Ayckbourn to be performed at the Riverhead Theatre in November.

Well done to the whole cast and crew; a fabulous production that I urge anyone who can make it this week before the end of the run to take the time and book your ticket, you truly won’t be disappointed.  The show runs from 11th to 16th September and tickets can be purchased from Louth Riverhead Theatre Box Office or by visiting Louth Riverhead Theatre, Victoria Road, Louth, LN11 0BX or by Telephone: 01507 600350, prices range from £4 to £8.50.
The Box Office is open for advanced booking every Monday to Saturday from 10.00am – 1.00pm.

IMG_6334

 

 

 

 

SaveSaveSaveSave

Once Upon a Time – Louth Playgoers – 12 August 2017

fullsizeoutput_1220f

The first show I ever went to see at Louth Riverhead Theatre was ‘Musical Memories’ as I’d just started to get to know some of the performers from the Lincoln Cathedral Production of Jesus Christ Superstar in 2015.  I was so overwhelmed with the talent in that particular show that when I saw that there was going to be ‘Once Upon a Time’ featuring songs from our favourite family films I couldn’t resist.

Once upon a Time was Directed by Jamie Harris who has directed several of the shows I’ve enjoyed at the same theatre, and the Musical Director Keith Weston who I also have enjoyed work from.  Frances Brindle and Derek Smith were the Producers and I have to say I thoroughly enjoyed the production.

Derek Smith was a complete natural as our host for the evening and kept the audience interest as he relayed details about Disney and the other films, and I particularly enjoyed his first number with the children, ‘Heigh-Ho’; what a delight to see Derek getting right in with the kids performing the 1937 Disney Classic from Snow White.  It was wonderful to see the small children enjoying participating around the stage and the theatre.

A few highlights for me include another Derek Smith number, this time performed with his son Toby, where they had great fun with the favourite from the 1967 Disney film, Jungle Book, The Bare Necessities.  Kerry Ward did a great job as Mary Poppins, with her rendition of Supercalifragilisticexpialidocious performed with Ruairidh Greig, a perfect crowd pleaser, followed by A Spoonful Of Sugar from Janine Walker, another really lovely performance.

Laura Harris delighted us with Colours Of The Wind from Pocahontas followed immediately by Jamie Harris who sang Alan Menken’s Out There from Hunchback of Notre Dame – he brought an absolutely beautiful song to another level!

A favourite film from my sons childhood was Space Jam in 1996, and Joel Browne, with the cast, uplifted the whole audience in Act 2 with I Believe I Can Fly. Although I enjoyed the whole production, Love Is An Open Door performed by Charlotte Bushell and Jack Lovett was another highlight.  Taken from Disney’s Frozen, 2013 its become a worldwide favourite and both Jack and Charlotte brought a whole lot of fun, comedy and romance to the performance, great characterisation and wonderful musicality.

Finishing the show with a Despicable Me 2 favourite, Happy, Sunny Williamson, Molly Carter & the cast brought the song to life on the stage with the audience really wanting to sing along, with the final performance from the whole cast of When You Wish Upon a Star ending the show with a rapturous applause from the whole audience.

There were quite a few young children in the audience which all seemed to be delighted with the great variety of films and musicals the songs represented, keeping the adults entertained with some of the older favourites.  A couple of older teens sitting near me delighted in singing along to just about every performance which although nice to see, got a little frustrating when they were nearly singing as loud as those on stage!

 

 

 

Details of the show:

ACT ONE

‘Be Our Guest’ (Neil Warne, Vanessa Allison & cast)

‘Heigh-Ho’ (children)

‘I’ve Got No Strings’ (Madeleine Barnes-Browne, Theresa Appleton, Beth Raithby, Poppy Barnes-Browne)

‘Cruella De Vil’ (Ed Mapletoft)

‘The Bare Necessities’ (Derek Smith and Toby Smith)

‘Supercali’ (Kerry Ward, Ruairidh Greig & cast)

‘Spoonful Of Sugar’ (Janine Walker)

‘Feed The Birds’ (Janet West & cast)

‘Somewhere Out There’ (Melissa Jenney, Ian Cahill & cast)

‘Part Of Your World’ (Katie Graham)

‘Beauty And The Beast’ (Helen Riley)

‘Friend Like Me’ (Neil le Sueur & tappers)

‘Love Survives’ (Natasha Connor)

‘I Stand Alone’ (James Burgess)

‘They Live In You’ (Helen Riley, dancers & cast)

‘Can You Feel The Love Tonight’ (Charlotte Bushell & Ben Browne)

‘Circle Of Life’ (Chris Driffield & cast)

ACT TWO

‘Mine, Mine, Mine’ (Derek Smith, James Burgess & cast)

‘Colours Of The Wind’ (Laura Harris)

‘Out There’ (Jamie Harris)

‘I Believe I Can Fly’ (Joel Browne & cast)

‘Rumour In St Petersburg’ (cast)

‘When You Believe’ (Katie Graham & Evangeline Dodds)

‘I’m A Believer’ (Michelle Scott & cast)

‘What If?’ (Erin Ramsay)

‘Holding Out For A Hero’ (Sarah Hagerup & cast)

‘Happy Little Working Song’ (Natasha Connor)

‘Mother Knows Best’ (Kim Burchall)

‘In Summer’ (James Burgess)

‘Love Is An Open Door’ (Charlotte Bushell & Jack Lovett)

‘Let It Go’ (Evangeline Dodds)

‘Happy’ (Sunny Williamson, Molly Carter & cast)

‘When You Wish Upon A Star’ (cast)

 

20729096_10159378164195413_5508263424384788708_o

Director – Jamie Harris

Producers – Frances Brindle & Derek Smith

Stage Manager – Bob Booth

Sound Design – Brooke Vickers

Sound Operator – Ash Hagyard

Musical Director – Keith Weston

Choreography – Frances Brindle & Jamie Harris

Lighting Design – Jamie Harris

Lighting Operator – Peter Hall

Follow Spot Operators – Martyn Underdown & McKenna Smith

Dirty Rotten Scoundrels – Louth Playgoers Summer Workshop – 3rd-5th August 2017

20431286_10159335035120413_2430299634757566246_n

Having seen and reviewed the CAODS production of Dirty Rotten Scoundrels back in November 2016, in fact it was my very first show review on this blog, I couldn’t wait to see what Louth Playgoers Youth Theatre would do with the production, especially since it was the outcome of the Youth Theatre and a very limited rehearsal time of a couple of weeks in the school holidays.

Louth Playgoers Says about the show:

“Directed by John Hewer and Musically Directed by Chris Peters once more our talented young people take to the stage for their annual summer workshop production.
This year they have chosen Dirty Rotten Scoundrels – the Musical as their challenge for 2017. Almost two weeks of hard work culminates in three impressive performances of this popular musical.
Synopsis: Two con men, a beautiful woman and the elite of the French Riviera collide in this sexy and irreverent farce.
Based on the popular 1988 MGM film, this hysterical comedy features a delightfully jazzy score by David Yazbek (The Full Monty) and was nominated for a staggering 11 Tony Awards”

20689986_1040200076115462_4897949548208204396_o

The young people did brilliantly well and I was not disappointed for one moment.  The main roles of Lawrence Jameson and Freddy Benson were played by Ed Mapletoft and Jack Lovett; the way they both played their opposite characters worked really well together.  Ed brought the classy, suave sophistication with what looked like with incredible ease whilst Jack produced some hysterically brash, loud and overstated comedy.  A brilliant portrayal by both, especially as Lawrence was trying to teach Freddy how to win women, having his work cut out as Freddy was usually only in it to make a quick few bucks.  Jack as Freddy and especially Ruprect was the highlight of my evening; having seen the previous CAODS production, to be honest I wasn’t sure how he was going to match up, but he absolutely did; every element of Jacks performance was outstanding.

I also wanted to mention Beth Adams who played Murial Eubanks, and Matthew Claypole who played Andre (with a brilliant French accent!).  They both played great parts, and the little cameo by Joel Coward (who also played the Hotel Manager and the Policeman) was pure genius – never before have I experienced such a random way of keeping the audience amused during scene changes!

20615977_10214062950872098_3268058953561677219_o

Well done to the whole ensemble and the other cast members, you all did brilliantly, remembering all the words, dance moves and keeping the audience very well entertained.  I’m looking forward to seeing a lot of you in future LPG productions!

It was great to see and hear a live band which were a lovely addition to the show; Musical Director and Keys 1 – Christopher Peters, Key 2 and Violin – Amy Baker, Reeds – Mike Wood, Trumpet – Andrew Taylor, Trombone – Mark Tong, Bass Guitar – Chris Smith, Percussion and Drums – Stuart Spendlow.

The Director was John Hewer and Choreographer was Rebecca Miles.  Sound Design – Christopher Peters, Lighting Design and Operator – Jamie Harris, Sound Operator – John Hewer and Chloe Jackson, Follow-Spot Operators – Robbie and Holly Mapletoft, Set Design – Jean Bradshaw and Malvina Willis, Costumes – Fern Garland, Christine Cliffe and Barbara Vickers.

20280323_10159159657195341_6228130085505264103_o

Cast (in alphabetical order)

Beth Adams – Muriel Eubanks

George Adams – Bellboy, Sailor & Ensemble

Emilia Berriman – Woman (solo) & Ensemble

Charlotte Bushell – Jolene Oakes

Matthew Claypole – Andre

Jade Fraser – Maid & Ensemble

Joel Howard – Hotel Manager, Policeman & Ensemble

Jemima Jefferies – Woman (solo), Violinist & Ensemble

Carrie-Ann Leahy – Conductor, Nun & Ensemble

Saskia Lewis – Desk Clerk, Dancer & Ensemble

Jack Lovett – Freddy Benson

George Maher – Porter, Sailor & Ensemble

Ed Mapletoft – Lawrence Jameson

William Mapletoft – Bellboy, Sailor & Ensemble

Beth Raithby – Renee & Ensemble

Erin Ramsay – Sophia, Nun & Ensemble

Lydia Reeves – Lenore, Nun & Ensemble

Erica Slonskyj – Christine Colgate

Jade Smith – Usherette & Ensemble

Mollie Tunnicliffe – Waitress, Croupier & Ensemble

 

Well done to everyone – congratulations!

Rehearsal Photographs courtesy of Andy Evans (and Facebook!)